The Alternative Rubber Soul Beatles MP3 CD

  • Model: 840

$12.69

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Alternate Versions And Takes Of Their First Psychedelic Album! Over 5 Hours Filled With 131 MP3s Presented As An Archival Quality MP3 CD!


Contents:

12 Bar Original (Rehearsal)

12 Bar Original (Take 1 #1)

12 Bar Original (Take 1 #2)

12 Bar Original (Take 2 #1)

12 Bar Original (Take 2 #2)

12 Bar Original (Take 2 #3)

12 Bar Original (Take 2) (Remixed)

12 Bar Original (Takes 1 & 2)

Girl (Stereo mix Centered Channels)

Girl (Stereo Mix Two Channels Reversed)

Girl (Take 2) (Backing Tracks, Monitor Mix #1)

Girl (Take 2) (Backing Tracks, Monitor Mix #2)

Girl (Take 2)

Girl (US #1)

Girl (US #2)

I'm Looking Through You (Instrumental)

I'm Looking Through You (Remix)

I'm Looking Through You (Take 1 Stereo Mix)

I'm Looking Through You (Take 1) (Cassette Dub from Master #1)

I'm Looking Through You (Take 1) (Cassette Dub from Master #2)

I'm Looking Through You (Take 1) (Cassette Dub from Master #3)

I'm Looking Through You (Take 1) (Remix)

I'm Looking Through You (Take 1)

I'm Looking Through You (Take 4 Remix)

I'm Looking Through You (Take 4 Stereo Mix)

I'm Looking Through You (Take 4) (Cassette Dub from Master)

I'm Looking Through You (Take 4)

I'm Looking Through You (US #1)

I'm Looking Through You (US #2)

I'm Looking Through You (US #3 ) (With Missing 2 Bar Opening)

I've Just Seen A Face (Original Album Mono Mix)

I've Just Seen A Face (Original Album Stereo Mix)

I've Just Seen A Face (US)

In My Life (Remix

In My Life (Stereo Mix Centered Channels)

In My Life (Stereo Mix Two Channels Reversed)

In My Life (Stereo Mix)

In My Life (Take 2) (Rough Mix)

In My Life (Take 3 #1)

In My Life (Take 3 #2)

In My Life (Take 3 #3)

In My Life (Take 3 #4)

In My Life (Take 3) (Rough Mix)

In My Life (US #1)

In My Life (US #2)

It's Only Love (Different Channel Separation)

It's Only Love (Original Album Mono Mix)

It's Only Love (Original Album Stereo Mix)

It's Only Love (Take 2)

It's Only Love (Take 3)

It's Only Love (US)

Michelle (Home Demo #1)

Michelle (Home Demo #2)

Michelle (Home Demo #3)

Michelle (Home Demo) (Segment)

Michelle (Remix)

Michelle (Stereo Mix Centered Channels)

Michelle (Stereo Mix Two Channels Reversed)

Michelle (Take 2 #1)

Michelle (Take 2 #2)

Michelle (US #1)

Michelle (US #2)

Michelle (US Album Mono mix)

Norwegian Wood (This Bird Has Flown) (Cassette Dub from Master #1)

Norwegian Wood (This Bird Has Flown) (Cassette Dub from Master #2)

Norwegian Wood (This Bird Has Flown) (Stereo Mix Centered Channels)

Norwegian Wood (This Bird Has Flown) (Stereo Mix Two Channels Reversed)

Norwegian Wood (This Bird Has Flown) (Take 1 #1)

Norwegian Wood (This Bird Has Flown) (Take 1 #2)

Norwegian Wood (This Bird Has Flown) (Take 1 #3)

Norwegian Wood (This Bird Has Flown) (Take 1 #4)

Norwegian Wood (This Bird Has Flown) (Take 1 #5)

Norwegian Wood (This Bird Has Flown) (Take 1 Stereo Mix)

Norwegian Wood (This Bird Has Flown) (Take 1) (Cassette Dub from Master)

Norwegian Wood (This Bird Has Flown) (Take 2 Stereo Mix)

Norwegian Wood (This Bird Has Flown) (Take 2) (Cassette Dub from Master)

Norwegian Wood (This Bird Has Flown) (Take 4 #1)

Norwegian Wood (This Bird Has Flown) (Take 4 #2)

Norwegian Wood (This Bird Has Flown) (Take 4 #3)

Norwegian Wood (This Bird Has Flown) (Take 4 #4)

Norwegian Wood (This Bird Has Flown) (Take 4 Stereo Mix)

Norwegian Wood (This Bird Has Flown) (Take 4) (Cassette Dub from Master)

Norwegian Wood (This Bird Has Flown) (US #1)

Norwegian Wood (This Bird Has Flown) (US #2)

Run For Your Life (chat and short edit version)

Run For Your Life (Original Mono Mix)

Run For Your Life (Take 1) (Lead-In To Song #1)

Run For Your Life (Take 1) (Lead-In To Song #2)

Run For Your Life (Take 5) (Rough Mix #1)

Run For Your Life (Take 5) (Rough Mix #2)

Run For Your Life (Take 5)

Run For Your Life (US)

The Word (Remix)

The Word (Take 3 #1)

The Word (Take 3 #2)

The Word (Take 3 #3)

The Word (Take 3 #4)

The Word (US Stereo Different Mix)

The Word (US)

Think For Yourself (Take 1 #1)

Think For Yourself (Take 1 #2)

Think For Yourself (Take 1 #3)

Think For Yourself (Take 1) (Studio Talk & Giggles #1)

Think For Yourself (Take 1) (Studio Talk & Giggles #2)

Think For Yourself (US Album Stereo Mix with Reverb Ending)

Think For Yourself (US)

Think For Yourself Vocal Overdub #01)

Think For Yourself Vocal Overdub #02)

Think For Yourself Vocal Overdub #03)

Think For Yourself Vocal Overdub #04)

Think For Yourself Vocal Overdub #05)

Think For Yourself Vocal Overdub #06)

Think For Yourself Vocal Overdub #07)

Think For Yourself Vocal Overdub #08)

Think For Yourself Vocal Overdub #09)

Think For Yourself Vocal Overdub #10)

Think For Yourself Vocal Overdub #11)

Think For Yourself Vocal Overdub #12)

Think For Yourself Vocal Overdub #13)

Think For Yourself Vocal Overdub #14)

Think For Yourself Vocal Overdub #15)

Think For Yourself Vocal Overdub #16)

Think For Yourself Vocal Overdub #17)

Think For Yourself Vocal Overdub #18)

Wait (Take 4 #1)

Wait (Take 4 #2)

Wait (Take 4) (Instrumental)

Wait (US)

You Won't See Me (Take 2 #1)

You Won't See Me (Take 2 #2)

You Won't See Me (US)


December 3, 1965: Record Releases: Rubber Soul, the sixth studio album by the English rock band the Beatles in the United Kingdom, on EMI's Parlophone label, accompanied by the non-album double A-side single "Day Tripper" / "We Can Work It Out". The original North American release, issued by Capitol Records, contains ten of the fourteen songs and two tracks withheld from the band's Help! album. Rubber Soul was met with a highly favourable critical response and topped sales charts in Britain and the United States for several weeks. The recording sessions took place in London over a four-week period beginning in October 1965. For the first time in their career, the Beatles were able to record an album free of concert, radio or film commitments. Often referred to as a folk rock album, particularly in its Capitol configuration, Rubber Soul incorporates a mix of pop, soul and folk musical styles. The title derives from the colloquialism "plastic soul" used by the Beatles to compare their material to the African-American soul artists they admired. After A Hard Day's Night in 1964, it was the second Beatles LP to contain only original material. The songs demonstrate the Beatles' increasing maturity as lyricists, and in their incorporation of brighter guitar tones and new instrumentation such as sitar, harmonium and fuzz bass, the group striving for more expressive sounds and arrangements for their music. The project marked a progression in the band's treatment of the album format as an artistic platform, an approach they continued to develop with Revolver and Sgt. Pepper's Lonely Hearts Club Band. The four songs omitted by Capitol, including the February 1966 single "Nowhere Man", later appeared on the North American release Yesterday and Today. Rubber Soul was highly influential on the Beatles' peers, leading to a widespread focus away from singles and onto creating albums of consistently high-quality songs. It has been recognised by music critics as an album that opened up the possibilities of pop music in terms of lyrical and musical scope, and as a key work in the creation of styles such as psychedelia and progressive rock. Two years after the start of Beatlemania, the band were open to exploring new themes in their music through a combination of their tiring of playing to audiences full of screaming fans, their commercial power, a shared curiosity gained through literature and experimentation with soft and hallucinogenic drugs, and their interest in the potential of the recording studio. According to Ringo Starr, Rubber Soul was the Beatles' "departure record", written and recorded during a period when, largely through the influence of marijuana, "We were expanding in all areas of our lives, opening up to a lot of different attitudes." It was the first Beatles record which was noticeably drug-influenced; John Lennon called Rubber Soul "the pot album". Marijuana appealed to the band's bohemian ideal. Paul McCartney said it was a move away from alcohol nto "more of a beatnik scene, like jazz". The album was especially reflective of John Lennon's maturation as a songwriter, as he was encouraged to address wider-ranging issues than before through Dylan's example. George Harrison's outlook had been transformed by his and Lennon's experiences with the hallucinogenic drug LSD; he said the drug had revealed to him the futility of the band's widespread fame by "open[ing] up this whole other consciousness". Among its many appearances on critics' best-album lists, Rolling Stone ranked it fifth on the magazine's 2012 list "The 500 Greatest Albums of All Time". In 2000, it was voted at number 34 in the third edition of Colin Larkin's book All Time Top 1000 Albums. The album was certified 6_ platinum by the RIAA in 1997, indicating shipments of at least six million copies in the US. In 2013, Rubber Soul was certified platinum by the BPI for UK sales since 1994.

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